I don’t think it’s possible to summarize the premise of TWGOK without making it sound like your garden variety otaku-wish-fulfillment-sleazefest harem comedy, but let’s try regardless. Keima Katsuragi, the titular God who’s better at dating sim than Michael Jordan at basketball or me at procrastination, has his life turned upside down when a ditzy demon girl from another world enlisted his help to solve the problem of evil spirit escapee hiding themselves in human girls’ body. Apparently you can whisk away the spirit by winning the vessel girl’s heart and kiss her, and Typical Animango Misunderstanding happened as the girl mistaken Keima’s godlike capacity in 2D realm as proof of being real life Casanova. Keima decided to treat this situation like one of his games, he eventually found that somehow the evil spirits really really like the girls in his school, he set out to kiss these girls one at a time to save them… okay, better stop here. How convenient, pandering, and tiresome, right?
Except it’s really not. Instead, it’s a sharply written, subversive, piece of work that consistently amused, engaged and surprised me throughout its run. It works.